Naandhi Review

 Naandhi Review


Story: Surya (Allari Naresh) is a IT employee directing a joyful life until he is marked as a defendant in a high-profile murder situation. As an under-trial man, he does not just need to show his innocence in court; he has to confront abuse . Advocate Aadhya (Varalaxmi Sarathkumar) takes up the scenario, new off law faculty.

Inspection: Police brutality is a problem not taken seriously within our nation, particularly if Tollywood often glorifies the concept of experiences and non-judicial killings. Naandhi takes the opposite path and showcases exactly what we as a society shed when innocent men and women are penalized by the computer system. The crew and cast of this movie deserve applauds for bringing forth a topic that is less researched in this movie market.

Surya is a happy-go-lucky guy who finds himself at the wrong place at the wrong moment. The more pressure mounts to resolve the situation, the longer he needs him to admit he is guilty. The movie's aim is to demonstrate how an overworked, underpaid system discovers that a pawn in an innocent guy and manager Vijay guarantees that you feel every emotion which Surya does. It's just five years after he discovers respite when Aadhya takes up his situation.

A movie like this needs excellent writing and that's what Vijay excels in. He tells a story which goes beyond the typical tropes of a guy wronged getting a bond and looking for revenge. What is more, the crowd can also be educated about a brand new segment from the Indian Penal Code, '' said IPC 211. The manager also goes a step farther and functions a reminder that the legislative and judiciary process is set up to provide justice to victims, not framework more innocent men and women. The grit and purpose of Surya as a personality and Aadhya are perfectly executed.

Allari Naresh has made a career from playing the slapstick character who is never taken too seriously. However, in Naandhi, he guarantees you sit up and take note. It's one of his finest performances and shows off exactly what an underrated and under-utilised celebrity he really is. Varalaxmi pulls off her role easily, and thus do Praveen and Priyadarshi.

The matter with Naandhi is it is a tight slap on the legislative, executive, judiciary and the property. However, in which the slaps land tougher is about the audience which frequently hoots and whistle as non-judicial punishments are meted out equally on and off-screen.


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